Designed to allow an assistant editor/capture specialist to ingest footage to the SAN in a collaborative production environment.
What is a COLOR CORRECTION station?
The COLOR CORRECTION workstation component of the V-SAN is designed for the colorist specialist. This solution brings an amazing high-end finish to all levels of the film industry, from the smaller independents all the way up to digital filmmakers. Broadcasters are able to shoot multiple camera shots with the ability to match frame for frame in broadcast-safe color space. Colorist stations can save you thousands of dollars over the cost of outsourcing your color work. With an in-house ProMax color correction station, your productions can be color corrected at your speed without rushing through the process.
Specifications: (May vary depending on your specific request)
- DPX and Cineon file format support
- Floating Point Precision
- Highly optimized 32-bit per channel color processing for visualization and rendering
- Up to 4 simultaneous “live” grades per shot
- EDL and XML support
- External project linking
- High-speed local and network rendering
- Multiple high resolution display support
Features: (May vary depending on your specific request)
- Real-time HD color finishing
- Real-time 2K color finishing without proxies
- Grade link, copy and paste
- Scalable and flexible timeline and icon display
- Multiple tracks and transition locations
- Keyframe primary/secondary/geometry in timeline
- Motion tracking
- Vignettes with variable softness
- HSL qualifiers with fall-off and blur
- 3D-LUTs for internal or external calibration
- Multiple pre-defined effects
- Grade, Primary, Secondary and ColorFX Bins
- Still Store with vertical/horizontal compare
- Pan & Scan, Zoom and Rotate
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